Plenty, a technology driven company, approached us for the launch of their first consumer brand, one powered by AI-driven vertical farms that produce fresh, nutrient dense produce in urban areas. While conventional fruits and vegetables are grown to last long transportation times from the farm to the distribution center to the grocer to the table; Plenty takes the opposite approach with an emphasis on technology and a short transportation footprint. While convention dictates that toughness, durability for long journeys, and pesticides are needed, Plenty’s products are engineered for taste and nutrition first. ​ The challenge was the first product coming off the line was…lettuce. How does one position a new brand and better yet convince consumers that any lettuce was delicious and nutritious? What could AI, vertical farming, and music festivals all have in common? Lettuce dive in and show you (romaine calm, it’s only a pun). But the approach they pioneered—sponsoring the exploits of extreme outdoor athletes—is no longer as own-able or relevant as it once was. Client // Plenty Assignment // Brand Strategy, Mobile App Design and Development, Event and Campaign Development, UX Design, Chat Interface, Product Marketing Building a brand from the ground up - roots and all. What they need today, is a new chapter in their story. One that is true to their adventurous spirit. But can speak to a broader, wider, more diverse audience. Strategically, we focused on the cultural, consumer, and company landscapes to inform our positioning. Beyond the strategy, the brand needed a core identity, web design, and hook to grab an audience. Through our research, we uncovered that trial through taste could be the unconventional tipping point for Plenty instead of a traditional advertising and PR launch. Our creative brief yielded a go-to-market plan based on driving trials in unexpected locations - think music festivals, art fairs, and other outdoor gatherings. The customer journey was defined from trial to loyalty and hyper localized on a city-by-city roll out (with a model for future scale). A frictionless chat interface via SMS allowed those who sampled the greens at events to flow through the DTC pipeline, begin a subscription, and develop a deeper relationship with the brand. Moving quickly, pivoting often, and staying nimble, our collaboration with the Plenty team used quick sprints to ideate and validate in markets in real time, yielding lasting results for the company.

Two Things is Doubling Down By Paulo Ribeiro Our approach to brand transformation has worked in multiple categories but, we are choosing to focus primarily on the active lifestyle space and audience. Two Things Inc started up in 2018. The agency was founded as a vehicle to combine a deep strategy process with a creative culture to help clients evolve how they go to market. We’ve operated as a creative consultancy with a goal of breaking down the wall between product experience and marketing experience. Along the way we’ve worked with clients in the entertainment, sports, outdoor, transportation, gaming, food, and retail industries. We’ve been trusted to develop strategies to transform how those brands go to market. To bring those strategies to life we’ve helped our clients reimagine advertising campaigns, mobile UX, created new to the world 3D creation tools, conversational interfaces, tik-tok campaigns, reimagined media plans, built websites and designed research methodologies to measure effectiveness. In two instances we’ve breathed life into entirely new businesses. We are proud of the work we’ve created together with our clients. We’ve learned and grown with each engagement. But TBH, too often we’ve had to learn on the job. There is a significant difference between the assignments we’ve explored with our clients and the assignments where our expertise led the way. Going forward, we are going to focus all of our energy on what we know inside and out. 1. We are experts at designing new ways for our clients to Go To Market. We shine when helping our clients evolve how they Go To Market whether the need is driven by launching a new product, a desire to connect with new audiences or markets, or for any reason that requires building new creative muscles. We are at our best when designing the strategy and creative concepts to evolve how a brand is experienced. We think hard about the business context, and also how the work will be made. We develop creative ideas to stand out from the noise in terms of their format AND their message. The fact that we consider the execution in our strategy work does NOT mean we need to be the ones making all the work. In many cases there are teams that are better at the craft of producing work (even if our clients are more comfortable working with us). So we are going to focus our attention on the moment of change and the systems to bring that work to life over time. ​ 2. We are creative people which means we can get distracted or curious about many different categories, but expertise comes from deep experience. We’ve had the honor of working with brands like The North Face, arc’teryx, Converse, Timberland, Visit Sun Valley, Nike and others on some of their most mission critical projects. This has given us depth of experience with the active lifestyle consumer that they target. So we are choosing to focus our work in the active lifestyle category. Going forward Brand Transformation for Active Lifestyle Brands will be the agency's focus. This is a mission for us. Too many brands in this space have marketing that is stuck in the past. Sure, there are players like Nike that are constantly re-writing the brand playbook. But brand’s that are innovating in this space are the exception, not the rule. So much of the work is sleepy and backward looking, reinforcing historical brand equity but not doing a great job of reaching out to wider audiences. This may not be a popular opinion but it's true. It is a shame because us humans are at our best when we are connecting with other humans IRL. We need to shake up the category that is all about movement, outdoors and human connection. We’ll use all the modern tools of creativity to make this happen. Stay tuned for more from insights@twothings.co . back to insights →

We call this audience, The Next Generation of Trail. They are an amalgamation of avid trail runners and hikers. Some run in pairs, others hike twenty deep. Some crush mountain trails, others stroll city parks. What unites them is their love for the trail. We set out to uncover, why. The North Face is legend in the outdoor adventure space. But the approach they pioneered—sponsoring the exploits of extreme outdoor athletes—is no longer as ownable or relevant as it once was. Client // The North Face: Discover Your Trail Assignment // Research & Insights, Brand Strategy, Global Advertising Campaign, Photography, Film, Global Messaging and Campaign Toolkit Authenticity and discovery on and off the trail. What they need today, is a new chapter in their story. One that is true to their adventurous spirit. But can speak to a broader, wider, more diverse audience. One of the first things the Next Gen taught us became the premise of our campaign; the idea there is a trail for everyone. And that whether you're a newbie or a trail junkie, a nature lover or a thrill seeker, if you get out there and keep trying you'll eventually discover your trail. Next Gen's love of trail differed greatly from motifs past. There was very little talk of testing limits or overcoming adversity. Instead, it was more about the trail making them feel whole and human. Or in other words, like a kid again. Out there in it, with their friends, enjoying the moment rather than fretting about the past or the future. ​ With the work, we wanted to tell real stories about real athletes. But, in the process, broaden the definition of what it means to be an outdoor athlete. So we focused our narrative lens on trail lovers that advertisers typically ignore: hike clubs, people of color, underrepresented communities, and people with different body types. These true stories of Next Gen trail lovers is only the beginning. In the months to come, we'll be exploring activations that actually help people discover their trail. In the meantime, thanks for listening and see you out there.

Brand X's and O's By Paulo Ribeiro X marks the unforced error. And, what can we learn from it? What the hell does this have to do with the Active Lifestyle Business? Nothing. And everything. This spectacular implosion has everyone talking about ‘Brand’ and this gives us an opportunity to break down what a powerful brand is (and isn’t). ​ From Linda Yaccarino, CEO of Twitter (really?!? Does anyone believe Elon’s ceded control of anything?): [Tweet from Linda Yaccarino] Um, ok…. First, let’s establish what we mean when we are talking about ‘brand’ An intentionally strategic focus that guides the services, experiences and messages from a company. The purpose of that strategic focus is to form an emotional connection in a consumer’s mind of what the brand’s values are. People align with brands that share their values. That emotional connection delivers real monetary value to the company. Actions speak louder than words (or images, no matter how well designed) Exhibit A: Many Nike sneakers and smaller brands are made in the same factories using the same materials with often very similar form factors. When the Nike sneaker is sold for $175 and a comparable Saucony sneaker (made in the same factory) goes for $105, that $70 difference is the real value of the Nike brand. The thing that makes the boneheaded Twitter to X shift so damn fascinating is that it was made by an absolutely legendary brand innovator: Elon Musk. Exhibit B: Every single move by brand Tesla, particularly in the early days, served as a master class in how to build a focused brand through consistent ACTIONS instead of through say advertising impression for example. Instead of car lots, Tesla’s were hyped in small ~1,000 sq foot footprints in malls. Forget test driving, many could barely hold a single car you could sit in. This yielded the amazing benefits of saving money on real estate and showing up in a completely differentiated way from the competition. Customers used iPad screens where they virtually designed their car, or signed up for a waitlist. Potential customers logging in from home had all the same tools and soon learned they didn’t even have to go to the mall. The waitlist highlighted scarcity (which is Luxury’s playbook to increase margins). They gave everyone on the waitlist sneak peaks and special content—allowing customers to feel special. And we all heard about it. The waitlist spawned rabid, vocal fans who snowballed the company’s marketing through word of mouth. They were not just buying a car, they bought into a movement. Elon as Founder leaned into even more audacious pursuits like designing the HyperLoop to ferry people between SF and LA in minutes and then gave away the plans (hello, PR mentions). He built a real rocket company, SpaceX, which generates endless PR, this in turn delivers credibility back to Tesla. The Tesla brand now has permission to enter into a range of businesses including some very expensive and technically complex ones such as home and corporate energy storage. All of this because of a singular brand focus: delivering the future of transportation. I could write for a month and not be able to adequately convey how good the bird logo is and how bad the X is. Full disclosure, I’m biased. My friend and former collaborator Martin Grasser Designed it. And Jack Dorsey co-signed with this. Agreed. Exhibit C: Twitter is a communication platform. A tweet is (was?) a short burst of information first 140 characters and over time added a bit of imagery and/or video. But always short, focused, timely communication flying around the internet. With this it's easy to see how that focused brand position provides permission to grow into sharing other types of timely information…or connections…or moving money. All of this focus was encapsulated in that elegant blue bird. Prof G estimates the current value being thrown away to be in the range of $10B (or more). Conversely, what is X? Well, it's everything they say. Right but what is it for? Everything. Ok, cool. When I need everything I’ll make sure to use that. For the next decade or so though, I’ll use products that have PROVEN their focus and expertise to me over time. I’ll make decisions faster where I don’t have to think too hard about their values or what they do well. In the outdoor arena brand identities (name, logo, etc…) like Patagonia and The North Face were intuitively appropriate (good enough for those demanding environments) AND over time they were imbued with meaning and carried that value. Dave Lane has a nice backstory about why the Dead Bird became arc’teryx’s logo. But he’ll be the first to say that they initially chose it as a logo because it was unlike anything in the market. But now… Well the dead bird is completely imbued with the credibility of intensely tested products with high design. Nike was an academic choice (and a bit obscure) choice when it came out, but it is now imbued with decades of performance and empowerment proof. Whereas, On Running’s proof of cushioning as good as running on air is more recent. In all cases these brands have value PRIMARILY because of the actions taken by the companies to prove their credibility in a focused way. And now, well let’s just say none of those organizations are dumb enough to throw that value away. A brand can launch with the advantage of a thoughtfully designed and wordsmithed brand identity and/or campaign (like the blue bird was for Twitter). But regardless of whether a brand got a headstart or not, the real value is created over time by consistency of actions. Brand equity is built and proven by a focused brand strategy. Recently, there hasn’t been any focus from the brand formerly known as Twitter. This will be fun to watch because if we all learn from mistakes, then we stand to learn quite a lot from a dumpster full of them. back to insights → [Retweet from Jack Dorsey, CEO of Square]

The Urban/Rural Boundary is the Opportunity By Paulo Ribeiro Cities hold a key to unlock the outdoors. Why is this massive opportunity so often ignored? So many of the brands we work with have a desire to be more inclusive. More and more frequently they have a stated mission to share the outdoors (and sport and breathing fresh air) with a wider group of people than those that have historically have had access. Corporate social responsibility is often behind this. Just as often it's straight up business that motivates: growing the size of the market a brand serves. This post isn’t going to get into litigating values. For the record we are supportive of both of those motivations. This post is focused on an opportunity the size of the Empire State building that is constantly missed. We’ve been asked to think a lot about how we might grow the audience and user base for multiple brands, in multiple categories with different brand histories, challenges and capabilities. All of this against a backdrop of the massive population growth of cities. For decades cities have been growing as a rebound from the growth of suburbs that the Boomers drove. While there has been a lot of noise recently about cities like NYC, SF and Chicago losing population in 2022 that is already starting to reverse with people coming back to offices (slowly). Los Angeles, San Jose, and Washington, DC all experienced migration gains in 2022. TL;DR, cities keep growing. The Gen Z and even Millennials are much more likely to be renters as compared to their parents and grandparents at the same age. They are less likely to own a car, or even have a driver’s license. Their work often involves staring at a screen for hours on end. The pitch to move their bodies during their downtime shouldn’t be that hard as evidenced by the radical growth in almost every sector of outdoor activity since the pandemic. If we really want to encourage movement and be inclusive in the outdoors. The most powerful tool we have is to rethink what the outdoors can be. What are the easy local “onramps” to the sports that are best done on massive fields or above 10,000 feet? So many heritage outdoor brands are stuck showcasing the most remote, world class edge of the world environments. Those spaces can inspire the hell out of many, but they are often disconnected from someone who hasn’t grown up in a culture of mountaineering (or skiing or insert any pursuit that requires travel and piles of expensive gear). When a brand exclusively leans into that world, the door is closed to starting a relationship with someone new to the space. Why are brands missing this? There is such a lack of creativity by active lifestyle brands in the places that have the biggest concentration of human beings: Cities! Most cities sprouted up because of their proximity to some amazing natural feature: The ocean, a river, a lush valley. And just because it started to fill up with buildings those features are still there if you know where to look. The biggest opportunity for outdoor brands is to create bridges to the outdoors and to start with what is at hand. [Mont Royal, Montreal] [Willamette River, Portland, Oregon] [The Hudson River Valley which leads to Manhattan Island] Creativity is the art of combining two things in an unexpected way: If your brand history is in climbing - what could you climb downtown? If you have retail outposts in cities - how can they become knowledge centers for what is within a few miles and accessible by public transportation? If you have a rugged brand what could you build in an urban area that lasts? How might you spend your brand dollars on improvement projects that last for decades rather than ads that last for days? When we talk about inclusion in the outdoor category the most potent way to think about it is by relooking at what we include as outdoor exploration. If we want people to move their bodies on a progression of challenges that might end up in the backcountry…then might we use our platforms physical (stores) and digital to help them start? EVO hotels are a rare example of experience innovation for active lifestyle brands as an urban outpost of trial and community. Please share examples of doing something (anything) innovative and we’ll be sure to compile and share. The city of LA set the bar really low with La Sombrita . If the bar is this low then what are you waiting for? Physical Retail locations might be the single most underutilized marketing tool. They are a literal toe-hold in the largest markets. These true stories of Next Gen trail lovers is only the beginning. In the months to come, we'll be exploring activations that actually help people discover their trail. In the meantime, thanks for listening and see you out there. back to insights →

We started with a simple call-to-action (STAY SUNNY) that reflected the optimistic spirit of the Valley. But we also needed a voice that, like the locals, felt honest and to the point. Conceptually, we thought of it as a secret society that anyone could be a part of (assuming they were kind and respectful). Sun Valley, Idaho is one of the most beautiful places on the planet. For years it has existed in relative obscurity. But the approach they pioneered—sponsoring the exploits of extreme outdoor athletes—is no longer as own-able or relevant as it once was. This all changed with the pandemic. Almost overnight, Sun Valley became the place to be. Tourists flooded the valley in droves. And the locals tasked with satisfying the needs of these visitors became, in a word, overwhelmed. Client // Visit Sun Valley Assignment // Brand Strategy, Board Advisory, Campaign Design, Experiential Design, Brand Identity and Messaging, Non-Traditional Media, Measurement Strategy and Metrics Evolving a Destination Brand from Awareness to 360° Marketing. The biggest problem this onslaught of tourism brought to town was, to put it bluntly, assholery: disrespect towards staff, disregard for locals, aggressive driving, littering, and jumping lines. What was needed, we decided, was a campaign that reminded visitors how things are done in the Valley. To date, virtually every piece of communication has been delivered through non-traditional media, i.e., chalked sidewalks, construction site plywood, murals, bumper stickers, viewfinders. The medium truly has been the message. ​ The money saved from not doing a traditional media buy has freed us up to do more local collabs and to execute all production locally. Every execution supports the local community in some way. Each creative piece was informed by what we call a pain point, i.e., specific time or place where tourists were being insufferable. We wrote lines (or messages) encouraging them to stop. But took care not to castigate them. That just felt mean. Humor, we learned, was the most effective way of connecting with others (whether they're locals or not). ​ Around town our voice shifted depending on where you were and what offense (if any) was being committed. So, for example, as people entered town, we welcomed them with a wave and a smile. Alternatively, when people were being jerks on the bike trail, we gave them the business.

Contact Us

Most of the energy in the market today comes from big, iconic sneaker brands doing limited edition drops and generic collaborations with other established brands or artists. It’s an approach badly in need of a refresh. Client // Novella Assignment // Research & Insights, Brand Strategy, Global Advertising Campaign, Photography, Film, Global Messaging and Campaign Toolkit Designing a footwear company from the ground up. Sneakers are a 100 billion dollar market worldwide. In recent years, there has been a tidal wave of Instagram DTC starts trying to tap into this burgeoning market. For most, the story has been exactly the same: high craftsmanship at a lower price. Beautiful but boring. This started to bug us and drove us to find another way. We realized that the formula for these launches was basically all SNEAKER, no BACKSTORY. Which got us wondering, what would happen if we flipped this model? What if we turned a shoe brand into a storyteller? From this, Novella was born. Novella was born in the depths of the pandemic. Amidst the darkness, we tried to find light. Not just through the creation of our shoes. But through the stories of these uncommon artisans. And all the joy and inspiration they were putting out into the world. At a time when we needed it most. In recent years, there has been a tidal wave of Instagram DTC starts trying to tap into this burgeoning market. For most, the story has been exactly the same: high craftsmanship at a lower price. Beautiful but boring. Today, we exist to tell their stories. Each drop, we’ll take a blank canvass and transform it into a beautiful human story. About a barber or poet or comedian or chef. Extraordinary creators who inspire joy through craft. Every detail of the shoe (accents, colors, materials) will be carefully considered to tell their story. See more at novella2020.com

We develop the creative Go-To-Market strategies for Active Lifestyle brands that need something fresh. The Transformation Agency for Active Lifestyle Brands Clients approach us when they need to launch a new product , connect with a new audience or because their marketing has become stale . ​ We start upstream, do our own research and work systematically through the strategy to concept development and onto the rollout plan. We develop the creative Go-To-Market strategies for Active Lifestyle brands that need something fresh. The Transformation Agency for Active Lifestyle Brands Clients approach us when they need to launch a new product , connect with a new audience or because their marketing has become stale . ​ We start upstream, do our own research and work systematically through the strategy to concept development and onto the rollout plan. start a conversation → working with us →

What Active Lifestyle Brands Can Learn from Silicon Valley By Paulo Ribeiro What does startup land have to teach brands way over in the active lifestyle space? Not everything. Not even most things, but there are a few really powerful ideas that if applied correctly can help a sleepy brand wake the hell up. FINDING PRODUCT-MARKET FIT In THIS classic post Marc Andreessen explains this fundamental concept and why it is so powerful for startups and particularly software companies. I’ve spent almost half of my career working in Silicon Valley and the other half working in very different business cultures (NY and PDX). But, there is much more to learn from one another than you might think at first… Generally Silicon Valley marketers don't understand brand strategy. Here comes the hate mail. As a pool they have depth in growth marketing, performance marketing, product marketing. All of the technical specialties are table-stakes, but they don’t really understand brand strategy as a group. Related: Marketing is often confused with Advertising as this post highlights. [Buried in the comments Seth sets the brand position straight] There is an amazing contrast of technical sophistication in SV with a lack of understanding of the creative arts. But, I digress. That isn’t the topic of this post. Most of the active lifestyle brands we’ve worked with found product-market fit decades ago. They don’t talk about it that way. But finding product market fit was a challenge that preceded the current crop of employees. Borrowing this notion can provide an incredibly helpful strategic framework for evolving their customer base and entering new markets. So many marketing briefs start from the assumption that the tactics are fixed, and maybe even the audience is fixed, so the only thing we can play with is the message. Which is crazy of course. But sadly it is the norm. Just because the core business operates one way doesn’t mean that each product line needs to go to market the same way. This is where the framework of Product-Market fit is super useful. Think of the market you are targeting as a ‘use case’ that can be defined by an audience and a behavior. And think of your product as the way you choose to serve that use case. By thinking about these as two variables the strategic playing field opens up significantly. But you have to tackle each of those assignments with clarity. Know which is which and play with each. Each of these two variables create opportunities to change the target audience definitions, the channels and tactics the creative briefs that generate new ideas. All it requires is borrowing a bit of wisdom from Silicon Valley. I said a ‘bit of wisdom’ they have blind spots too. 😉 CUSTOMERS VS. TARGETS These are two totally different things. We need to stop confusing them. As a marketer you should have a clear understanding of who your buying customers are. This might vary by business unit, product line and channel. There are so many tools at your disposal to paint a picture of who is buying your product via each channel whether direct or through retail partnerships, whether IRL or URL. The audience(s) that your marketing targets should also be clearly defined even if a significant portion of your spend is programmatic or performance in nature. If your customer and your target are thought of as the same thing internally, then good job! You’ve captured the Total Addressable Market and you aren’t needed any longer. Thank you for your service. I’m kidding of course but it's shocking how often this basic distinction is confused. The relationship between these two profiles are huge levers for marketing. Are they the same types of people? Are they vastly different? What is the relationship between the customers you have and the audience you wish to serve? What is the profile of someone who experiments and drives trial? What is the behavior of a loyal customer? If you don’t know then start your work with questions like these. Define hypotheses and test them. You’ll find that almost everything stems from starting to paint this picture. It's totally and completely cliche up and down the San Francisco Peninsula to talk about how many failed ventures entrepreneurs have been a part of. Why? Because of the widely held belief that you need to go big and if you fail then you LEARNED. It's so widespread that it has become a boring introduction up and down the SF peninsula. Baked inside of that overused backhanded compliment however, is a way of operating that many in the outdoor industry ignore thinking everything has been established. The weird thing is that this is not at all how many of their founders operated. Dave Lane and Jeremy Guard knew nothing about waterproofing jackets when they started Rock Solid Manufacturing in 1989. They just knew there was a better way to make a harness. Nor did they know the 140-million year old fossil that inspired their name change and logo (Arc’teryx) would become one of the most recognizable icons in outdoor gear—synonymous with quality and caliber. Yvonne Chouinard didn’t know much about business, in fact, he just wanted to find a way to keep adventuring . After setting up a blacksmith shop in 1957, Chouinard’s hand-made pitons quickly caught on like wildfire in the climbing communities. But in early 1989, the company—Chouinard Equipment—filed for Chapter 11 bankruptcy and the assets of the company were purchased by former employees…eventually forming Black Diamond Equipment . And Chouinard? Well, he kept climbing…so much so that after a trip to Scotland in 1970, he realized there was an appetite for high-quality clothing for climbers. And then one inspirational trip down to Argentina with the future The North Face founder and best friend Doug Thompkins, Patagonia was born. Roy and Ryan Seiders didn’t know their coolers would upend the market, they first wanted to build cool fishing rods and custom, aluminum fishing boats so they could keep doing what they loved outdoors. Instead, they found themselves frustrated with the cooler options available and sought to build the best, most rugged, protective cooler out there. Hello, Yeti . THIS Is a good example of embracing experimentation and failure today. We know for a fact that Nike has applied lessons learned from experiments like this to their subscription strategies. CELEBRATING FAILURE Flirting with failure is core to many active lifestyle brands’ origin. It should be core to their marketing strategies as well. TAKING RISKS Which is of course related to celebrating failure. Co-labs have become the default method of driving news for brands in this space. And no doubt there have been some really fantastic and unexpected ones Nike X Tiffany’s is a great example. But this is classic borrowed interest strategy. Which is not dissimilar from casting celebrities that come with their own followings in advertising. It works, but it's short lived. It drives quick hype and then it's over. REI put climbing walls in their stores over 20 years ago . Nike pushed virtual shoe drops starting in 2016. After the pandemic shutdowns we have an opportunity to reinvent how brands meet customers. Who will take the next leap to stand out from the herd? [Buried in the comments Seth sets the brand position straight] If your customer and your target are thought of as the same thing internally, then good job! You’ve captured the Total Addressable Market and you aren’t needed any longer. Flirting with failure is core to many active lifestyle brands’ origin. It should be core to their marketing strategies as well. back to insights → [Buried in the comments Seth sets the brand position straight]

In September 2021, TNF called with an interesting proposal: they had their first ever premium footwear platform for trail, but needed to crack their go to market. With only four months until launch, they needed a creative strategy and a non-traditional campaign that shied away from paid media. They had the executional firepower with their rosters of partners, but needed the creative solution to work on both a global and local scale. For years, The North Face has led the charge of peak athleticism in the outdoors. Client // The North Face: Vectiv Assignment // Brand Strategy, Brand Identity, Global Advertising Campaign, Digital Experience Design, Global Messaging and Campaign Toolkit, Photography + Motion Design Leveraging the power of community to elevate a product launch to a brand statement. After spending our discovery and research phase with the technology, VECTIV, we found that this platform was and is the real deal. Elite athletes regularly beat FKTs (fastest known times) on a variety of trails using prototypes; the curved sole of the shoe literally rocked the wearer forward to the point where in our research we often exclaimed, “I can’t walk straight in these!” Now that we had our wayfinding, the next hurdle was execution. With the COVID-19 pandemic still raging around the globe, how could we drive trial and buzz when all trail races, events, and outdoor gatherings were canceled? ​ Enter Further Together. As a direct reflection to the campaign, our internal work flow emphasizes collaboration and building tools for TNF to use across all of their channels and countries. The collaborative concepts resulted in strong brand messaging, positioning toolkits, photography guidelines, motion graphics, and videography for TNF’s global marketing teams to leverage again and again. We knew we had the proof for the power and integrity behind the product; but how could we turn a product into a brand campaign under TNF’s umbrella? ​ Our strategy turned from a traditional product marketing campaign to a product marketing campaign designed to look like a brand campaign. For the story, we returned to the technology innate to VECTIVE: “Energy Multiplier.” The momentum, forward movement, and emotional mindset of the consumers all pointed toward our eventual territory and rallying cry: “Power Further.” Rather than focusing on the innovation story alone, we grounded the campaign in this emotional drum beat bringing the look and feel to life in photography and videography of pushing boundaries, thumping up the trail, the explosive, exponential energy. This campaign could never be about the solo athlete or the individual trail runner—during COVID-19 we yearned for and needed community more than ever. Partnering with Strava we launched the challenge, “Power Further, Together” to the running community, asking over half a million runners worldwide to join TNF in pushing their boundaries to reach extraordinary heights. The campaign generated over 523,000 signups with an 80% active participation rate for a global result of 37MM miles. And that was just month one.

Your Brand History is Not Your Brand Strategy By Paulo Ribeiro Why your brand’s past is not what your customers today care about. We work with many brands that have an illustrious history. The founder stories are often magical and brands do well to celebrate them. But too often there is an assumption that brand strategy IS the brand story. Let me share a thing that happens over and over again. We recently took a call from a former client who had moved on to another brand in the same category. They had a rich history abroad and were making significant investments in growing the brand in the US. Owned retail, product line extensions and a significant e-commerce push were all part of the brand. Brand awareness was well over 75% in their region and close to 95% in their home country (!). But awareness was well below 25% in the US. When we asked what their strategy was to position the brand in the US, they shared their origin story. That's it. To be fair it is a rich story, set in the 60’s and a continent away. No doubt it is a valuable brand asset but the brand’s history is not even close to a strategy to connect with today’s US consumers. Factions inside the company had decided that since brand awareness was the problem here that all that was needed to move the needle was just to tell Americans about the brand's history. They would produce some films about that history, buy the media and Americans would open their wallets. Um, where do I even start with this? The thing is that this kind of misunderstanding is contagious because it gives license to avoid the hard work of coming up with something new and powerful. It buys time, while wasting money. Who is going to blame an employee for celebrating the company’s history? A brand’s history is just a backdrop to a strategy that might cut through the noise and connect with people. What about the audience definition? What about their needs? How will the brand differentiate from the competition in terms of the CATEGORY context, the CONSUMER context and the CULTURAL context??!? If people made decisions on where to spend their money based on a brand’s origin story then Wikipedia wouldn’t be a non-profit. I was lucky to be responsible for Nike’s brand strategy for some years at Wieden + Kennedy. That gig demanded that you understand the history and figure out a new expression if you expected to keep your job. Every brief, every category, every year. Know where you came from and figure out something new. Before Serena Williams there was Prefontaine . He was the spirit of Just Do It. The wild child runner who was the face of a brand that was growing fast in running (but not much else). Nike wanted to expand to other categories. What the hell did Pre mean in basketball? Nothing. The movie AIR , which in addition to having Ben Affleck do the worst Phil Knight impersonation imaginable, tells the business story of signing MJ. This deal unlocked an opportunity for the brand that goes way beyond basketball - as big as that business was and now is. This shift proved that the power of the Nike brand wasn’t just embodied in a person, it was an idea. The idea? That the potential for achievement exists in all of us and it can manifest in so many damn ways. Pre - > MJ and then when Nike made it a mission to rip soccer from Adidas control -> in the Brazilian National Team and their Ginga style of play. They applied this strategy as they looked to dominate each category Tiger Woods in Golf , Roger and Serena in Tennis that is until she became Nike’s most powerful ambassador for all of sport . And then this strategy hit a wall with Skateboarding (see skaters don’t always follow superstars because, you know, counter-culture ) . Then the brand took a grassroots approach partnering with local skate shops and eventually quietly funding parks and tours. Holy shit, the spirit of JDI can live in concrete?!?!. Below is a JDI (Just Do It brand campaign) creative brief circa 2009 that is a great example of taking an existing brand and shifting its voice while staying true. There are myriad ways of doing this. This is just one example. [The Just Do It creative brief from 2009 which kicked off a search for a more inclusive brand voice.] This is the playbook. To define a brand in a multi-dimensional way so that the creative expression can change to connect with new humans in ways that they care about. This notion is so obvious, but it is an approach that is often ignored. The business landscape has become complicated, but simple truths remain. If you want to connect with people you have to meet them where they are. Yes it takes a bit more effort to do it right but we have a playbook to set that strategy in a way that will move the needle today. A year from now wouldn’t you rather look back knowing that you took the time to do it right? It's only money that you are throwing away when you skip the strategy. Only money, and time, and opportunity to connect beyond your current universe… A brand’s history is just a backdrop to a strategy that might cut through the noise and connect with people. This is the playbook. To define a brand in a multi-dimensional way so that the creative expression can change to connect with new humans in ways that they care about. back to insights → [The Just Do It creative brief from 2009 which kicked off a search for a more inclusive brand voice.]